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Press Release

 

CAST AND CREATIVE TEAM ANNOUNCED FOR THE
WORLD PREMIERE MUSICAL A ROOM WITH A VIEW


Tony Award winner Karen Ziemba returns to the Globe stage

SAN DIEGO (March 8, 2012)—The Old Globe today announced the cast and creative team for the World Premiere of A Room with a View, a new musical based on the novel by E.M. Forster with book by Marc Acito, music and lyrics by Jeffrey Stock and additional lyrics by Acito.  With direction by Scott Schwartz and music direction by Boko Suzuki, A Room with a View will run March 2 – April 15, 2012 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe’s Conrad Prebys Theatre Center.  Preview performances run March 2 – March 9.  Opening night is Saturday, March 10 at 8:00 p.m.  Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.

A Room with a View blends a gorgeous score with the timeless story that inspired the Academy Award-winning film.  Amid the golden sunlight and violet-covered hills of Tuscany, sheltered English girl Lucy Honeychurch meets freethinking George Emerson and for the first time glimpses a world of longing and passion she had never imagined.  Upon her return to her corseted Edwardian life, Lucy must decide whether to yield to convention or give up everything she has ever known.  This enchanting new musical gives a new voice to these unforgettable characters.

The cast of A Room with a View features Ephie Aardema as Lucy Honeychurch, Kyle Harris as George Emerson and Will Reynolds as Cecil Vyse.  Aardema played Chava in the National Tour of Fiddler on the Roof and starred as Edwina in the Off Broadway production of Dear Edwina.  Harris recently starred as Tony in the National Tour of West Side Story.  Reynolds was last seen at the Globe as Frank Churchill in Jane Austen’s Emma – A Musical Romantic Comedy.

Tony Award winner Karen Ziemba returns to the Globe to play Charlotte Bartlett, the overbearing chaperone of Lucy Honeychurch.  Ziemba previously appeared at the Globe in Brighton Beach Memoirs, Broadway Bound, Six Degrees of Separation and The First Wives Club.  She received the Tony Award along with the Outer Critics Circle and Drama Desk Awards for her portrayal of The Wife in Contact.  Ziemba was also nominated for Tony Awards for the Broadway productions of Curtains, Never Gonna Dance and Steel Pier.

Rounding out the cast are Glenn Seven Allen (Italiano, Albert), Etai BenShlomo (Freddy Honeychurch), Gina Ferrall (Miss Lavish, Mrs. Honeychurch), Jacquelynne Fontaine (Ragazza, Minnie), Edward Staudenmayer (Reverend Mr. Beeber) and Kurt Zischke (Mr. Emerson).

The creative team includes Heidi Ettinger (Scenic Design), Judith Dolan (Costume Design), David Lander (Lighting Design), Jon Weston (Sound Design), Bruce Coughlin (Orchestrator), Jeffrey Stock (Musical Arrangements), Michael Jenkinson (Musical Staging), Jan Gist (Vocal and Dialect Coach), Tara Rubin Casting (Casting) and Anjee Nero (Stage Manager).

Marc Acito (Book and Additional Lyrics) wrote the popular comic novel How I Paid for College: A Novel of Sex, Theft, Friendship and Musical Theater, which won the Ken Kesey Award for Fiction and was Editors’ Choice by The New York Times and a Top Teen Pick by the American Library Association.  Translated into five languages, it also inspired a sequel, Attack of the Theater People.  Acito’s comedy Birds of a Feather, which tells the true story of the nationwide controversy caused by gay penguins in the Central Park Zoo, received its World Premiere at The Hub Theatre in July 2011.  He also cowrote the Christmas comedy Holidazed, which ran for two seasons at Artists Repertory Theatre, and Bastard Jones, a rock musical adaptation of Henry Fielding’s The History of Tom Jones.  A former professional opera singer, Acito regularly performs “singing commentaries” on National Public Radio’s “All Things Considered”and has written about theater for The New York Times and Playbill.  A product of the musical theater program at Carnegie Mellon University, Acito graduated from Colorado College, which in 2009 awarded him an honorary doctorate.

Jeffrey Stock (Music and Lyrics) composed the music for the Tony Award-nominated Broadway musical Triumph of Love starring Betty Buckley, F. Murray Abraham and Susan Egan.  Triumph has received over 100 productions at theaters around the country, as well as in Europe and Japan.  His symphonic and choral work, Lulie the Iceberg, premiered at Carnegie Hall with renowned cellist Yo-Yo Ma and the Orchestra of St. Luke’s, narrated by Sam Waterston.  Among the awards he has received are the Guggenheim Fellowship for music composition, an NEA grant and the Jonathan Larson Grant for the performing arts.  Stock was one of the composers of the acclaimed Off Broadway musical Songs from an Unmade Bed presented at New York Theatre Workshop.  He wrote the score and libretto for The Voice of Temperance, a musical about Prohibition commissioned by The Public Theater.  He was resident composer at the Pacific Music Festival in Sapporo, Japan, where he studied with the celebrated composer Toru Takemitsu.

Scott Schwartz (Director) directed the Broadway productions of Golda’s Balconyand Jane Eyre (co-directed with John Caird).  He recently directed Brighton Beach Memoirsand Broadway Bound in repertory and Lost in Yonkersat The Old Globe.  His Off Broadway work includes Bat Boy: The Musical (Lucille Lortel and Outer Critics Circle Awards, Outstanding Off Broadway Musical; Drama Desk Award nomination, Outstanding Director of a Musical), tick, tick… BOOM! (Outer Critics Circle Award, Outstanding Off Broadway Musical; Drama Desk nomination, Outstanding Director of a Musical), Rooms: A Rock Romance, The Foreignerstarring Matthew Broderick (Roundabout Theatre Company), Kafka’s The Castle (Outer Critics Circle nomination, Outstanding Director of a Play), Miss Julie and No Way to Treat a Lady.  He also directed Golda’s Balcony on tour, in London, in Los Angeles at the Wadsworth Theatre and in San Francisco at American Conservatory Theater.  He directed the World Premiere of Séance on a Wet Afternoon at Opera Santa Barbara and subsequently at New York City Opera.  Schwartz’s other recent credits include Arsenic and Old Lacestarring Tovah Feldshuh and Betty Buckley (Dallas Theater Center), Othello and Much Ado About Nothing (Alley Theatre), My Fairytale (Pacific Conservatory of the Performing Arts), Reckless (The Denver Center for the Performing Arts) and a re-envisioning of Seven Brides for Seven Brothers (Paper Mill Playhouse, Theatre Under The Stars, Theatre on the Square and North Shore Music Theatre; 2008 IRNE Award, Outstanding Director of a Musical).

TICKETS to A Room with a View can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.  Performances begin on March 2 and continue through April 15.  Ticket prices start at $39.  Performance times:  Previews:  Friday, March 2 at 8:00 p.m., Saturday, March 3 at 8:00 p.m., Sunday, March 4 at 7:00 p.m., Tuesday, March 6 at 7:00 p.m., Wednesday, March 7 at 7:00 p.m., Thursday, March 8 at 8:00 p.m. and Friday, March 9 at 8:00 p.m.  Regular Performances:  Tuesday and Wednesday evenings at 7:00 p.m., Thursday, Friday and Saturday evenings at 8:00 p.m., Saturday and Sunday matinees at 2:00 p.m. and Sunday evenings at 7:00 p.m.  There is a 2:00 p.m. matinee on Wednesday, March 21 and no matinee performance on Saturday, March 24 and no evening performance on April 15.  Discounts are available for full-time students, patrons 29 years of age and under, seniors and groups of 10 or more.

Associated events taking place during the run of A Room with a View include:

INSIGHTS SEMINAR: A Room with a View
Monday, March 5 at 7:00 p.m.  FREE
Insight Seminars are informal presentations of ideas and insights to enhance the theater-going experience.  The seminars feature a panel selected from the artistic company of each production and take place in the theater where the production is performed.  Reception, 6:30 p.m.  Seminar, 7:00 p.m.  Admission is free and reservations are not required.

POST-SHOW FORUMS: A Room with a View
Tuesdays, March 13 and 20 and Wednesday, March 28.  FREE
Discuss the play with members of the A Room with a View cast and crew at post-show discussions led by the Globe’s creative staff after the performances.

OUT AT THE GLOBE: Thursday, April 5 at 6:30 p.m.  $20
An evening for gay and lesbian theater lovers and the whole LGBT community, Out at the Globe includes a hosted wine and martini bar, appetizers and door prizes.  Everyone is welcome.  $20 per person.  RSVP at (619) 23-GLOBE.  (Tickets to A Room with a View are sold separately.)

THANK GLOBE IT’S FRIDAY: Fridays, March 9 and 16 at 6:30 p.m.  $20
Kick off the weekend with the Globe’s Friday pre-show bash.  TGIF includes a hosted wine and martini bar, appetizers and desserts.  $20 per person.  RSVP at (619) 23-GLOBE.  (Tickets to A Room with a View are sold separately.)

¡VIVA EL TEATRO!: Friday, March 23
A special event celebrating San Diego’s vibrant Hispanic community with backstage tours, a catered reception and live flamenco music.  Tickets are $100 each and include both the reception and performance.  To purchase tickets to ¡Viva el Teatro!, call (619) 231-1941 x2317 or email Events@TheOldGlobe.org.

LOCATION:  The Old Globe is located in San Diego’s Balboa Park at 1363 Old Globe Way.  There are numerous free parking lots available throughout the park.  Valet parking is also available ($10).  For additional parking information visit www.BalboaPark.org.

CALENDARDividing the Estate (1/14-2/12), The Recommendation (1/21-2/26), A Room with a View (3/2-4/15), Anna Christie (3/10-4/15), The Scottsboro Boys (4/29-6/10), Nobody Loves You (5/9-6/17).

PHOTO EDITORS:  Digital images of The Old Globe’s productions are available at www.TheOldGlobe.org/pressroom.

The Tony Award-winning Old Globe is one of the country’s leading professional regional theaters and has stood as San Diego’s flagship arts institution for 75 years.  The Old Globe produces a year-round season of 15 productions of classic, contemporary and new works on its three Balboa Park stages: the Donald and Darlene Shiley Stage in the 600-seat Old Globe Theatre and the 250-seat Sheryl and Harvey White Theatre, which are both part of The Old Globe’s Conrad Prebys Theatre Center, and the 605-seat outdoor Lowell Davies Festival Theatre, home of its internationally renowned Shakespeare Festival.  More than 250,000 people attend Globe productions annually and participate in the theater's education and community programs.  Numerous world premieres such as The Full Monty, Dirty Rotten Scoundrels, A Catered Affair, and the annual holiday musical, Dr. Seuss' How the Grinch Stole Christmas!, have been developed at The Old Globe and have gone on to enjoy highly successful runs on Broadway and at regional theaters across the country.

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CAST BIOGRAPHIES

EPHIE AARDEMA (Lucy Honeychurch) has appeared in national tours as Chava in Fiddler on the Roof and Liesl in The Sound of Music (Theatre of the Stars).  She appeared Off Broadway as Edwina in Dear Edwina at Daryl Roth Theatre and reprised the role at Guild Hall.  Her regional roles include Natalie in Next to Normal (Pioneer Theatre Company), Logainne in The 25th Annual Putnam County Spelling Bee (Paper Mill Playhouse, Philadelphia Theatre Company) and also Olive (The Media Theatre for the Performing Arts), Adele Astaire in the World Premiere of Let’s Face the Music and Patsy in Crazy for You (Maine State Music Theatre, Cape Playhouse), Peggy Sawyer in 42nd Street, Sheila in Hair, Little Red in Into the Woods, Gertrude in Seussical and Luisa in The Fantasticks.  Aardema is an international award-winning tap dancer and received a Congressional Medal for Outstanding Youth.

GLENN SEVEN ALLEN (Italiano, Albert) has appeared on Broadway and in New York in The Light in the Piazza (Lincoln Center Theater), Girl Crazy (City Center Encores!), Casino Paradise (Lincoln Center’s American Songbook) and A Fine and Private Place (York Theatre Company).  His other credits include Alexius in The Chocolate Soldier (Bard SummerScape), Rutledge in 1776 (Goodspeed Musicals), Frederic in The Pirates of Penzance (Utah Shakespeare Festival), Pontius Pilate in Jesus Christ Superstar (North Carolina Theatre), Cliff in Cabaret (Arena Stage, Helen Hayes nominee for Outstanding Lead Actor, Resident Musical) and Giuseppe in The Light in the Piazza (Intiman Theatre, Goodman Theatre).  He has performed operatic roles including Il Duca in Rigoletto, Alfredo in La Traviata, Roméo in Roméo et Juliette, Don José in Carmen, Almaviva in Il Barbiere di Siviglia, Tamino in Die Zauberflöte, Rodolfo in La Bohème, Ernesto in Don Pasquale and Rodolpho in William Bolcom’s A View from the Bridge under the supervision of the composer.

ETAI BENSHLOMO (Freddy Honeychurch) comes directly from the Broadway production of Wicked, where he played Boq.  His other credits include Les Misérables, Annie and High School Musical (The Muny), Fiddler on the Roof (Kansas City Starlight Theatre) and developmental workshops of Little Miss Sunshine, Newsies and A Room with a View.  He is a graduate of the University of Michigan.

GINA FERRALL (Miss Lavish, Mrs. Honeychurch) most recently starred as Rosie in Mamma Mia! on Broadway.  Her past Broadway credits include Madame de la Grande Bouche in Beauty and the Beast, Widow Douglas in Big River, Mrs. Reed in Jane Eyre, Sister Berthe in The Sound of Music, Domina in A Funny Thing Happened on the Way to the Forum and Madame Thénardier in Les Misérables.  Ferrall has had the pleasure of working with Patti LuPone in Passion (“Live from Lincoln Center”), Elaine Stritch in Sail Away (Carnegie Hall), Candide (New York City Opera) and New York Philharmonic.  Some of her Off Broadway credits include The Castle with director Scott Schwartz (Manhattan Ensemble Theater).  Her regional theater credits include Beauty and the Beast (North Shore Music Theatre), Man of La Mancha (Pittsburgh Public Theater), Into the Woods (Theatre Under The Stars) and The Music Man (Music Circus).  She was given the Bay Area Critics Circle Award for Side by Side by Sondheim.

JACQUELYNNE FONTAINE (Ragazza, Minnie) has performed in concerts and operas in the United States and beyond.  This summer she will perform as Anna in The King and I (Opera North).  In Italy, she appeared as Donna Anna in Mozart’s Don Giovanni to great acclaim in Viterbo and in an Italian touring production of The Magic Flute in Pamina.  Fontaine recently made her operetta debut with the Pittsburgh Civic Light Opera as Kathie in Sigmund Romberg’s The Student Prince.  This past season saw her debut as Violetta in La Traviata (Rogue Opera).  In 2006, Fontaine was crowned Miss California and placed in the Top 10 at Miss America 2007, also winning the talent award for her performance of Puccini’s “Vissi d’arte.”

KYLE HARRIS (George Emerson) has Broadway and National Tour credits that include Sondheim on Sondheim and Tony in West Side Story.  His television and web credits include “Guiding Light”, “My Broadway Debut” (CBS), Tony in “Web Site Story” (CollegeHumor) and “Submissions Only.”  He has also been featured in Mrs. Sharp (Playwrights Horizons), Hair (Arizona Theatre Company), Dream a Little Dream (Florida Stage)and Urinetown (Arizona Repertory Theatre).

WILL REYNOLDS (Cecil Vyse) appeared at The Old Globe last season as Frank Churchill in Jane Austen’s Emma – A Musical Romantic Comedy.  His New York credits include The Illusion by Tony Kushner (Signature Theatre Company) and George Bailey in A Wonderful Life (John W. Engeman Theater at Northport).  His National Tours include Mamma Mia!  He has appeared regionally as Huck Finn in Big River (Goodspeed Musicals), Jason in Ordinary Days (Adirondack Theatre Festival), the title role in Candide and Curly in Oklahoma! (Chicago Light Opera Works) and Gerald in A Woman of No Importance (Pittsburgh Irish and Classical Theatre).  He has also appeared in the film The Good Shepherd directed by Robert De Niro.  As a writer, Reynolds was honored to be selected by ASCAP for the Johnny Mercer Songwriters Project, and his musical The Greenwood Tree, with text by Shakespeare, was featured in the New York Musical Theatre Festival and The Kennedy Center’s Page-to-Stage festival.

EDWARD STAUDENMAYER (Reverend Mr. Beeber) starred on Broadway in Wonderland as The White Rabbit and opposite Martin Short (at certain performances) in Martin Short: Fame Becomes Me.  He has had a 17-year association with Forbidden Broadway, taking him Off Broadway, around the world, onto three cast recordings and, recently, a stint as director for the Tampa production.  He starred in Monty Python’s Spamalot in Las Vegas and toured in The Scarlet Pimpernel, later playing the title character for local audiences in San Diego and Riverside.  His other credits include Beauty and the Beast (National Theater Award nomination), Cats, Noises Off, Joseph and the Amazing Technicolor Dreamcoat, On the Twentieth Century, Bye Bye Birdie, 1776, Jane Eyre, Gigi, Children of Eden and The Producers.  He has also appeared in the World Premieres of Cy Coleman’s Exactly Like You and The Great Ostrovsky (Barrymore Award nomination), Maury Yeston’s In the Beginning, Disney’s Hercules (New Amsterdam Theatre), Neil Sedaka’s Breaking Up is Hard to Do and the new Alessandrini/Tchaikovsky holiday hit The Nutcracker and I.  Staudenmayer has performed in concerts with New York City’s The Town Hall and with the Baltimore, Syracuse, Bartlesville and Adelaide, Australia Symphonies.  He has also provided voices for MTV’s “Celebrity Deathmatch.”  He is a UCLA graduate and a recipient of the Carol Burnett Award.  He is currently the Associate Director of Off Broadway’s Sistas.

KAREN ZIEMBA (Charlotte Bartlett) previously appeared at the Globe in Brighton Beach Memoirs, Broadway Bound, Six Degrees of Separation and The First Wives Club.  She received the Tony Award along with the Outer Critics Circle and Drama Desk Awards for her portrayal of The Wife in Contact at Lincoln Center Theater.  Her other appearances on and Off Broadway include Curtains (Outer Critics Circle Award, Drama Desk and Tony nominations), Never Gonna Dance (Outer Critics Circle Award, Tony nomination), Steel Pier (Tony, Drama Desk and Outer Critics Circle nominations), And the World Goes ‘Round (Drama Desk Award), I Do! I Do! (Drama Desk nomination), Chicago, A Chorus Line, 42nd Street, Crazy for You, New York City Opera’s 110 in the Shade and The Most Happy Fella and, for City Center Encores!, Allegro, Bye Bye Birdie, Ziegfeld Follies of 1936 and The Pajama Game.  Regionally she has appeared in Much Ado About Nothing (The Shakespeare Theatre Company, Hartford Stage), The Threepenny Opera (Williamstown Theatre Festival), Sylvia (Long Wharf Theatre), Steel Magnolias (Cape May Stage) and BOEING BOEING (Riverside Theatre).  Her film and TV appearances include The Producers, Once More with Feeling, “Scrubs,”several of the New York “Law & Order”series,“The Kennedy Center Honors”in tributes to Angela Lansbury and Julie Harris and, for PBS’ “Great Performances,” My Favorite Broadway: The Leading Ladies, Ira Gershwin at 100: A Celebration at Carnegie Hall and Sondheim: A Celebration at Carnegie Hall.  Ziemba has recorded many audiobooks and original cast albums and received an Honorary Doctorate in Fine Arts from Niagara University.

KURT ZISCHKE (Mr. Emerson) on Broadway, Off Broadway and in National Tours including Signs of Life, Whistle Down the Wind, The Buddy Holly Story, Three Sisters, Antigone, King Lear, A Doll’s House, The Beaux’ Stratagem, George Abbott’s Broadway, Barbara’s Blue Kitchen and Ulysses in Nighttown, among others.  Regionally he has appeared in over 90 productions ranging from Jack Lawson in Race to Henry Higgins in My Fair Lady at such theaters as the Contemporary American Theater Festival, Pioneer Theatre Company, La Jolla Playhouse, Huntington Theatre Company, Pittsburgh Public Theater, Alliance Theatre, Delaware Theatre Company, Cincinnati Playhouse in the Park, Dallas Theater Center, Papermill Playhouse, American Shakespeare Theatre, The Repertory Theatre of St. Louis, Westport Country Playhouse, Barrington Stage Company, Connecticut Repertory Theatre, The Eugene O’Neill Theater Center, Marin Theatre Company, Williamstown Theatre Festival and the Alabama, New Jersey, and Utah Shakespeare Festivals.  His television and film credits include “Law & Order: Criminal Intent,” “All My Children,” Sanford Meisner: The Theatre’s Best Kept Secret and many voiceovers and commercials.

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FACT SHEET

A ROOM WITH A VIEW
Book by Marc Acito
Music and Lyrics by Jeffrey Stock
Additional Lyrics by Marc Acito
Based on the Novel by E.M. Forster
Directed by Scott Schwartz

RUNS:  March 2 – April 15, 2012
Donald and Darlene Shiley Stage
Old Globe Theatre
Conrad Prebys Theatre Center

TICKETS:  Ticket prices start at $39.

SYNOPSIS:  Amid the violet-covered hills of Tuscany, sheltered English girl Lucy Honeychurch meets freethinking George Emerson and for the first time glimpses a world of longing and passion she had never imagined.

CREATIVE TEAM:  Marc Acito (Book and Additional Lyrics), Jeffrey Stock (Music and Lyrics), Scott Schwartz (Director), Boko Suzuki (Music Director), Heidi Ettinger (Scenic Design), Judith Dolan (Costume Design), David Lander (Lighting Design), Jon Weston (Sound Design), Bruce Coughlin (Orchestrator), Jeffrey Stock (Musical Arrangements), Michael Jenkinson (Musical Staging), Jan Gist (Vocal and Dialect Coach), Tara Rubin Casting (Casting) and Anjee Nero (Stage Manager).

CAST:  Ephie Aardema (Lucy Honeychurch), Glenn Seven Allen (Italiano, Albert), Etai BenShlomo (Freddy Honeychurch), Gina Ferrall (Miss Lavish, Mrs. Honeychurch), Jacquelynne Fontaine (Ragazza, Minnie), Kyle Harris (George Emerson), Will Reynolds (Cecil Vyse), Edward Staudenmayer (Reverend Mr. Beeber), Karen Ziemba (Charlotte Bartlett) and Kurt Zischke (Mr. Emerson).

PREVIEWS:
Mar 2 FRI 8pm
Mar 3 SAT 8pm
Mar 4 SUN 7pm
Mar 6 TUE 7pm
Mar 7 WED 7pm
Mar 8 THU 8pm
Mar 9 FRI 8pm (Thank Globe It’s Friday)
OPENING NIGHT: Mar 10 SAT 8pm
REGULAR PERFORMANCES:
Mar 11 SUN 2pm
Mar 11 SUN 7pm
Mar 13 TUE 7pm (Post-Show Forum)
Mar 14 WED 7pm
Mar 15 THU 8pm
Mar 16 FRI 8pm (Thank Globe It’s Friday)
Mar 17 SAT 2pm
Mar 17 SAT 8pm
Mar 18 SUN 2pm
Mar 18 SUN 7pm
Mar 20 TUE 7pm (Post-Show Forum)
Mar 21 WED 2pm
Mar 21 WED 7pm
Mar 22 THU 8pm
Mar 23 FRI 8pm
Mar 24 SAT 8pm
Mar 25 SUN 2pm
Mar 25 SUN 7pm
Mar 27 TUE 7pm
Mar 28 WED 7pm (Post-Show Forum)
Mar 29 THU 8pm
Mar 30 FRI 8pm
Mar 31 SAT 2pm
Mar 31 SAT 8pm
Apr 1 SUN 2pm
Apr 1 SUN 7pm
Apr 3 TUE 7pm
Apr 4 WED 7pm
Apr 5 THU 8pm (OUT at the Globe)
Apr 6 FRI 8pm
Apr 7 SAT 2pm
Apr 7 SAT 8pm
Apr 8 SUN 2pm
Apr 8 SUN 7pm
Apr 10 TUE 7pm
Apr 11WED 7pm
Apr 12 THU 8pm
Apr 13 FRI 8pm
Apr 14 SAT 2pm
Apr 14 SAT 8pm
Apr 15 SUN 2pm

INSIGHTS SEMINAR
Monday, March 5 at 7:00 p.m.
Seminar series features a panel of artists from the current show.  Reception at 6:30 p.m.  FREE

POST-SHOW FORUMS
Tuesdays, March 13 and 20 and Wednesday, March 28
Discuss the play with members of the cast following the performance.  FREE

OUT AT THE GLOBE
Thursday, April 5 at 6:30 p.m.  $20
An evening for LGBT theater lovers with a hosted wine and martini bar, appetizers and door prizes.  Everyone is welcome.  (Show sold separately.)

THANK GLOBE IT’S FRIDAY
Fridays, March 9 and 16 at 6:30 p.m.  $20
Friday pre-show bash includes wine, martinis, appetizers, dessert and live music.  (Show sold separately.)

¡VIVA EL TEATRO!
Friday, March 23
A special event celebrating San Diego’s vibrant Hispanic community with backstage tours, a catered reception and live flamenco music.

BOX OFFICE WINDOW HOURS:  Noon to final curtain Tuesday through Sunday. American Express, Discover, MasterCard and VISA accepted.  (619) 23-GLOBE [234-5623]

LOCATION:  The Old Globe is located in San Diego’s Balboa Park at 1363 Old Globe Way.  Free parking is available throughout the park.  Valet parking is also available ($10).  For parking information visit www.BalboaPark.org.

PRESS CONTACT:
Jeffrey Weiser (619) 238-0043 x2352 jweiser@TheOldGlobe.org
Mike Hausberg (619) 238-0043 x2355 mhausberg@TheOldGlobe.org